AMETHYST EDITIONS champions emerging queer writers who employ genre-bending narratives and experimental writing styles, and complicates the conversation around American LGBTQ+ experiences beyond a coming out narrative. AMETHYST EDITIONS is curated by artist and author Michelle Tea.
CURRENTLY AVAILABLE FROM AMETHYST EDITIONS:
BLACK WAVE by Michelle Tea
"An apocalyptic fantasia." —New York Times
It's 1999—and Michelle's world is ending.
Desperate to quell her addiction to drugs, disastrous romance, and nineties San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.
While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and meta-textual exploration to complement her promises of maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive vice, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she'll have to compromise her artistic process if she's going to properly ride out doomsday.
In addition to being the fabulous curator of AMETHYST EDITIONS, MICHELLE TEA is the author of numerous books, including Rent Girl, Valencia, and How to Grow Up. She is the creator of the Sister Spit all-girl open mic and 1997-1999 national tour. In 2003, Michelle founded RADAR Productions, a literary non-profit that oversees queer-centric projects.
AGAINST MEMOIR BY MICHELLE TEA (May 2018)
“I gobbled up these essays. Michelle Tea is riotously, wickedly funny, with an uncommon knack for naming the more hideous and complex parts of being human. Her particular genius makes the hardest truths and sorrows an irresistible joy to read.”—Melissa Febos, author of Abandon Me
The razor-sharp but damaged Valerie Solanas, a doomed lesbian biker gang, recovering alcoholics, and teenagers barely surviving at an ice creamery: these are some of the larger-than-life,yet all-too-human figures, populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.
Delivered with her signature honesty and dark humor, Tea blurs the line between telling other people’s stories and her own. She turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the extent to which art preys on life.
SINCE I LAID MY BURDEN DOWN by Brontez Purnell
“Immensely quotable and supremely enjoyable…SINCE I LAID MY BURDEN is a remarkable work of fiction, an invaluable addition to queer literature." — Shelf Awareness
DeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amidst prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love?
A raw, funny, and uninhibited stumble down memory lane, Brontez Purnell’s debut novel explores how one man’s early sexual and artistic escapades grow into a life.
BRONTEZ PURNELL has been publishing, performing, and curating in the Bay Area for over ten years. He is author of the cult zine Fag School, frontman for his band The Younger Lovers, and founder and choreographer of the Brontez Purnell Dance Company. Formerly a dancer with Gravy Train!!!, a queer electro indie band that gained national prominence in the mid-2000s, Purnell's other prominent artistic collaborations include his supporting role in the queer independent feature film, "I Want Your Love" (dir. Travis Mathews, 2012).
He was a guest curator for the Berkeley Art Museum's L@TE program in 2012, awarded an invitation to the 2012 Radar Lab queer arts summer residency, honored by Out Magazine's 2012 Hot 100 List and 2013 Most Eligible Bachelors List, and most recently won the 2014 SF Bay Guardian's Goldie for Performance/Music.
WE WERE WITCHES by Ariel Gore
“We Were Witches moves with punk rock grace and confidence, and I totally loved it.” —Kate Schatz, Rad American Women A-Z
Cashing into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she’s there, the phallocratic story of “overcoming” permeates every subject. Creative writing professors depend heavily on Freytag’s pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Adrienne Rich, Gloria Anzaldúa, Tillie Olsen, and Kathy Acker.
Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother. She’s beset by custody disputes, homophobia, and America’s ever-present obsession with shaming odd women into passive citizenship. But even as the narrator struggles to graduate—often the triumphant climax of a dramatic narrative—the question lingers uncomfortably. If you’re dealing with precarious parenthood, queer identity, and debt: What is the true narrative shape of your experience?
ARIEL GORE is a journalist, memoirist, novelist, nonfiction author, and teacher. She is a graduate of Mills College and the University of California at Berkeley Graduate School of Journalism. She is the founding editor/publisher of Hip Mama, an Alternative Press Award-winning publication covering the culture and politics of motherhood.
Her memoir, Atlas of the Human Heart, was a 2004 finalist for the Oregon Book Award. Her anthology Portland Queer: Tales of the Rose City won a LAMBDA Literary Award in 2010. She has taught at The Attic Institute in Portland, Oregon, at the University of New Mexico in Albuquerque, and at the Institute for American Indian Arts in Santa Fe.