We Were Witches
We Were Witches
Magick spells and inverted fairly tales combat queer scapegoating, domestic violence, and high-interest student loans.
Publication Date: 09-12-17
Cashing into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she’s there, the phallocratic story of “overcoming” permeates every subject. Creative writing professors depend heavily on Freytag’s pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Adrienne Rich, Gloria Anzaldúa, Tillie Olsen, and Kathy Acker.
Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother. She’s beset by custody disputes, homophobia, and America’s ever-present obsession with shaming odd women into passive citizenship. But even as the narrator struggles to graduate—often the triumphant climax of a dramatic narrative—the question lingers uncomfortably. If you’re dealing with precarious parenthood, queer identity, and debt: What is the true narrative shape of your experience?
“Ariel Gore’s We Were Witches is one woman’s body refusing to become property, refusing to be overwritten by law or traditions, one woman’s body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song.” —Lidia Yuknavitch, author of The Small Backs of Children
“We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore’s writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge.” —Susie Bright, author of Big Sex Little Death
“Forget Freytag's Pyramid (of Predictable Male Prose)—behold Gore’s Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it.” —Kate Schatz, author of Rad American Women A-Z
“We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture’s strongest authors at her most experimental and personal.” —Michelle Tea, author of Black Wave
“Ariel Gore’s We Were Witches is both magical and punk rock—the way it takes traditional values and traditional story structure to task, the way Gore’s protagonist, Ariel, uses witchy intelligence to resist a system totally against her.” —Michelle Cruz Gonzales, author of The Spitboy Rule